{"id":967,"date":"2015-11-20T12:16:50","date_gmt":"2015-11-20T17:16:50","guid":{"rendered":"https:\/\/mjsymuleski.com\/artofthemooc\/?p=967"},"modified":"2016-01-09T13:40:24","modified_gmt":"2016-01-09T18:40:24","slug":"nicolas-bourriaud","status":"publish","type":"post","link":"https:\/\/mjsymuleski.com\/artofthemooc\/nicolas-bourriaud\/","title":{"rendered":"Nicolas Bourriaud"},"content":{"rendered":"<p>Curator, art critic, and scholar. Bourriaud is best known among English speakers for his publications Relational Aesthetics (1998\/English version 2002) and Postproduction (2001). Relational Aesthetics in particular has come to be seen as a defining text for a wide variety of art produced by a generation who came to prominence in Europe in the early 1990s. Bourriaud coined the term in 1995, in a text for the catalogue of the exhibition Traffic that was shown at the CAPC contemporary art museum. Bourriad co-founded and co-directed the Palais de Tokyo, in Paris, together with J\u00e9r\u00f4me Sans, and\u00a0was the Gulbenkian curator of contemporary art from 2008-2010 at London&#8217;s Tate Britain. He currated the fourth Tate Triennial there, entitled <a title=\"Altermodern\" href=\"https:\/\/en.wikipedia.org\/wiki\/Altermodern\">Altermodern.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Curator, art critic, and scholar. Bourriaud is best known among English speakers for his publications Relational Aesthetics (1998\/English version 2002) and Postproduction (2001). Relational Aesthetics in particular has come to be seen as a defining text for a wide variety of art produced by a generation who came to prominence in Europe in the early &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/mjsymuleski.com\/artofthemooc\/nicolas-bourriaud\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Nicolas Bourriaud&#8221;<\/span><\/a><\/p>\n","protected":false},"author":386,"featured_media":971,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,6],"tags":[191,192],"coauthors":[193],"class_list":["post-967","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-aesthetics-art-history-and-cultural-institutions","category-individuals-and-groups","tag-nicolas-bourriaud","tag-relational-aesthetics"],"_links":{"self":[{"href":"https:\/\/mjsymuleski.com\/artofthemooc\/wp-json\/wp\/v2\/posts\/967","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mjsymuleski.com\/artofthemooc\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/mjsymuleski.com\/artofthemooc\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/mjsymuleski.com\/artofthemooc\/wp-json\/wp\/v2\/users\/386"}],"replies":[{"embeddable":true,"href":"https:\/\/mjsymuleski.com\/artofthemooc\/wp-json\/wp\/v2\/comments?post=967"}],"version-history":[{"count":1,"href":"https:\/\/mjsymuleski.com\/artofthemooc\/wp-json\/wp\/v2\/posts\/967\/revisions"}],"predecessor-version":[{"id":975,"href":"https:\/\/mjsymuleski.com\/artofthemooc\/wp-json\/wp\/v2\/posts\/967\/revisions\/975"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/mjsymuleski.com\/artofthemooc\/wp-json\/wp\/v2\/media\/971"}],"wp:attachment":[{"href":"https:\/\/mjsymuleski.com\/artofthemooc\/wp-json\/wp\/v2\/media?parent=967"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/mjsymuleski.com\/artofthemooc\/wp-json\/wp\/v2\/categories?post=967"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/mjsymuleski.com\/artofthemooc\/wp-json\/wp\/v2\/tags?post=967"},{"taxonomy":"author","embeddable":true,"href":"https:\/\/mjsymuleski.com\/artofthemooc\/wp-json\/wp\/v2\/coauthors?post=967"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}